
I’m currently writing this the way Dan Harmon would have wanted it, and yeah, we’re all bummed, but let’s talk about the finale on Thursday that seems to be overshadowed by Sony and NBC’s skullduggery.
Those final moments were the closest TV has gotten to the last minute of the Friday Night Light finale “Always”* which itself was the closest network TV has gotten to The Wire’s finale. Harmon called it a bow to the audience, thanking them for watching the show all year.** And that’s what he did, but not just for the year, but the three years he was there. It definitely felt like he knew that his time was up, which is why he borrowed The Wire’s finale montage of using its theme song as the music. As has been noted on some sites about the return to the pilot (not unlike Arrested Development’s series finale), it really seemed like Dan Harmon knew he was gone and went out the way he wanted to.
I’m sad to see the show I cared about for 3 years go***, and it would be really easy to be mad at Sony and NBC, but I guess I’m Troy at the end of “Basic Rocket Science.” What kind of company would not only let someone write three paintball episodes, a Law and Order parody, a Goodfellas homage, a Pulp Fiction bait-and-switch to My Dinner with Andre, but actually give that person the money to make those episodes and air them? We were lucky to get 3 years, and there’s nothing anyone can do to take them away.
Actually. SHIT. Don’t read that last sentence, Sony/NBC. Don’t take them away from us. Please. You’ve given us enough panic attacks for 10 seasons of Breaking Bad.
*”Always” has the infamy of beating out Mad Men’s “The Suitcase” in the Emmy for Outstanding Writing for Drama. My take? “The Suitcase” is the better episode. Written, acted, as an overall piece of television. If you were to put ten episodes of television in a time capsule to exemplify television of the early 2000s, that’s on that list. But “Always” is a much finer example of what Friday Night Lights the show was about as a whole. And it makes this grown man cry more.
** It’s somewhere in this series. I really hope either Todd VanDerWerff interviewed Harmon before he was fired or he’s able to interview Harmon again for the third season because these are enlightening pieces into the writing mind and production process.
*** It can still be a good, maybe even a great show. The duo that are taking over also worked on Happy Endings, and that is a very fine show. But it won’t be Dan Harmon’s Community.

As you might have heard Sony (not NBC, NBC doesn’t own the show*) fired Dan Harmon off Community, which means the end of Community as we know it and probably the start of some half-assed 9th Season of Scrubs-like fourth season at worst, and a “Eh, it’s enjoyable to hang out with these people, I guess, but remember the first three seasons, man?” fourth season. So, you’re probably rewatching the series, like I am, and pouring one out for the fallen leader. So, here’s the rules (shots can be fingers of your drink, also):
*Although NBC wasn’t really all that worked up about it, with Bob Greenblatt saying, “[S]hows lose showrunners all the time.” It’s not their fault that Dan Harmon was fired, but it’s kind of their fault that they didn’t renew the show with a clause that he’d still be on as showrunner (because why renew it in the first place anyway?).
**I guess you could also add “Pierce says something racist/homophobic” but hey, it’s your liver.
I’m linking to the last part (4 of 4) because it has links to the previous 3 parts in the opening paragraph. If you wanted to know what goes into writing an episode of Community or what is is dealing with network execs, I suggest reading this series of interviews. (Some spoilers because Harmon and the AV Club go through each of season 2)
popculturebrain points us to an article in Variety written in the voice of Abed from Community. It is truly a beautiful read.
Hi, I’m Abed Nadir, a film major at Greendale Community College. The editors of this paper have asked me to share my 2011 Best Comedy Emmy pick, I’m assuming as part of some diversity program.
No surprises among the favorites this year, probably because surprising people isn’t a favorite’s function. I’m told that “The Big C,” “Parks and Recreation,” “Modern Family,” “The Office,” “30 Rock” and “Big Bang Theory” are what everyone’s talking about, and “everyone” must include whoever gives Emmys.
My pick? Well, I haven’t seen these shows, but I do have a system. First, eliminate the longest-running and highest-rated shows. The Emmys are about a revolution of sophistication. If “The Office” is revolutionary, why isn’t it canceled? If “Big Bang Theory” is sophisticated, why is everyone watching it? They’re out.
Abed on the season finale of Cougar Town.
Also: I kind of watched every episode of Cougar Town within three days and for the record? It’s a surprisingly funny show. It starts out rough but quickly abandons the whole cougar storyline (it keeps the title but makes fun of it). You can definitely tell it’s a Bill Lawrence show (Ted from Scrubs was in the season finale too, playing himself) so it gets a little heavy on the montages of life lessons and weepy music but overall, it makes me laugh way more than it should.
This second part about how surprisingly good Cougartown is if you can get over the Scrubs-y tropes that Lawrence loves is what I was telling a friend the other day about this show. They didn’t believe me.
For more on that photo, watch the clip Frank posted earlier.